It seems the first talking point that most people bring up when discussing Little Big League is the collective pedigree of the members. It makes sense, but it is a little boring to do, right? It never really explains the project at hand. Let’s just sidestep that stuff and focus on the record. It’s pretty simple when we look at it that way.
Little Big League have a great LP here. These Are Good People is a great example of a band taking an almost decade specific sound, but avoiding the whole throwback gimmick. It plays primarily like a 90’s indie/alternative record. In a very straightforward way in some places, but filtered through college rock or emo in some others. Sometimes the guitar is twinkly, sometimes it jangles. The leads are simple enough, but catchy and hooky.
The most dynamic thing on the record is the vocals. Michelle Zauner’s vocals range from delicate and soft to high and powerful to rough and yelled. It adds a very diverse layer to what would otherwise be very genre normative songs. Shit, we get bits of each in the first three songs alone. The album opens with “Lindsey,” on with very powerful vocals. “My Very Own You” has moments of the more delicate side. “Dark Matter” gets rough at the end. This carries on throughout. It’s not for everyone though. Michelle Zauner doesn’t have a perfect voice. It ranges somewhere between Mimi Gallagher from NONA and Caithlin De Marrais from Rainer Maria (other people also say Karen O. So there’s that).
Long story short, everything pretty much works on this record. It may be walking down a pretty well worn path, but it’s still a lot of fun. It’s a record that can be put on and enjoyed. It’s not trying to redefine a genre. It’s not trying to revolutionize a scene. It’s comfortable and a little familiar. There’s not a damn thing wrong with that.
Little Big League