It’s hard to make an engaging emo record these days. I don’t want to get full “old man yells at cloud” about it, but I’m a little jaded when it comes to the genre. We have spent the better part of the last decade awash in shitty Kinsella rips and skramz nonsense. It’s hard to stand out, and it’s hard to write about. What does a band need to do to rise above the noise?
A lot of the more interesting bands to me are coming out of Canada. In fact, most of the stuff that jumps out from my inbox is coming out of Vancouver, BC. Oblomov is a trio that definitely represents that. Their sound is jagged and rough, but not completely abrasive. The easy description of their sound would be emo, but the kind that remembers it’s roots in punk and hardcore. They are extremely dynamic, and they can fucking go.
Steady Drip of a Broken Spout is a hard record to pin down. The record starts with “Feel Alive.” It has a strong Jets To Brazil vibe. “Airplane” hits at the halfway point, and it’s definitely a turning point in the record. It introduces spoken word bits all while maintaining the driving punk edge. Things can change at the drop of a hat, and it’s refreshing as hell. You got your requisite twinkly guitars, but the distortion adds an uncharacteristic edge.
A lot of this kind of music is guitar driven, and Ethan Reyes is certainly no slouch. It’s the rhythm section that stands out to me though. Darren Mountain and Colin Osler absolutely hold it down. Their bass and drum propel the record. It would be easy to let things spiral out of control, and I have to give them credit for reigning things in. Especially in the more intense moments. It’s the same thing that bands like Algernon Cadwallader did so well.
The emo revival thing has come and gone. The genre isn’t the new hotness anymore. We have gone back to the underground. This is a record that embodies what that means to me.