Melkbelly is a noisy post-punk band that turns standard rock songs into a mess of lo-fi experimentalism. I’ve had a passing interest in them for a while now, but they never really clicked for me until I heard Miranda Winters’ solo record back in 2018. It put a lot of the songwriting into perspective. There are some great melodic songs buried in the noise, sludge, and experimentation.
Pith, as a record, is the deconstruction as final product. You have so many moments where you think this record is going to go in an expected direction, but then it just turns left. The album opens this way. “THC” is a straight forward, melodic song that devolves into extended noise. “Sickeningly Teeth” just keeps changing tempos to the point that it’s an uncomfortable, jittery listen. “Kissing Under Some Bats” is a three minute song that turns into the guitar repeating a single chord for damn near the rest of the seven and a half minute run-time. All while the background just layers and layers until it is a wall of noise. But, even at its most out there, the songs remain coherently songs. To keep this review Chicago centered, this is what I think U.S. Maple would have sounded like if they gave a fuck about theory.
It’s a very real possibility that someone from Chicago will read this and label me a suburban asshole who is missing the point. And, to be honest, they’d probably be right. All I know is that I love this record. It’s not an easy one to define, but it’s definitely worth a listen. Especially if you have an ear for melodic music that is covered in noise.
Wax Nine Records