It’s easy to talk about Orations through the lens of “modern band does classic genre music.” Hell, that was my main talking point when I wrote about their previous EP. It’s really not a point worth revisiting because there is more going on. Orations are easily one of the strongest modern voices in this kind of music.
All that said, what’s new? Wych Elm is Orations honing their sound even further. The reverb is still there. The melodies are still top notch. Jess Collins still has one of the best goddamn voices. Wych Elm stands out by what makes it different from past releases. They still effortless emphasize the punk part of post-punk, but not so strongly as on the self titled EP. It’s still very “goth” sounding, but has more of a college rock type jangle when compared to to the more Siouxsie And The Banshees / The Cure vibe on Incantations.
Wych Elm is absolutely everything a first full length should be. It feels like a declaration of intent. Like a mission statement. It’s documentation of a band that knows exactly what they are and exactly where they’re going.
Custom Made Music
Swiss Dark Nights
I love hearing modern bands play classic genre music. Orations are a prime example of how good it can sound. What they’ve done on Incantation is an interesting bit of songwriting, and certainly not easy. They live in a middle ground of goth inspired post-punk/new wave and driving, mid-tempo punk rock. They never sound like just a punk rock band trying to fuck with post-punk and new wave, and that is what makes this whole thing work so well.
The four songs on Incantation seem to be split into two styles. “Curses” and “Strangely Safe” bookend the EP with a style that calls to mind the poppier side of Siouxsie And The Banshees or The Cure. Mostly thanks to that classic post-punk/new wave guitar tone. Great use of reverb and great melodics. Those songs have a gothy kind of sound, but never fall into the droney and brooding genre traps. The middle two songs, “Circus of Currents” and “Nosedive,” have a much more straight forward punk rock sound. They definitely match the tone of the other songs, but maybe don’t rely so much on the overall atmospherics as much.
The band is great at tying everything together. Jason Draper (bass) and Paul Morin (guitar) absolutely nail the kind of interplay needed to make this sound work. Steve Sojka (drums) is very versatile in his own right, switching styles depending on what the songs call for. A lot of band would sort of fuck up the post-punk to punk rock shift, but Orations have it covered. But, in my mind, the strongest selling point of the record has to be Jess Collins’ vocals. She has a very commanding voice. It’s strong enough to stand out on the more driving songs, but versatile enough to weave in and out of the more atmospheric one.
This is skilled band walking a very tight rope. They’re making music that borrows from a classic sound, but they’re adding enough life and energy to keep it from being mindless throwback bullshit. A lesser band might not be able to do it, and that alone makes this one worth a listen.
Sheets Of Tens Records / Buy It
Bandcamp / Buy It
I’ve discussed Sunday Guts a few times already. And, goddamnit, I’m doing it again. Mostly because a Sunday Guts record is generally a great listen. Cool Music is really more of the same. I mean that in terms of quality, not in style. The guitar pop from the earlier releases is still here in force, but it’s getting colored by other things too.
Immediately there is a presence of a new wave influence. Certainly on “Get Out Of Town,” but definitely on “Wish It All Away.” It’s a sound not totally unexpected, especially after listening to the Wet Salvos EP. There are different touches that make it stand out over the rest of their catalog. It works really well. Billy Kilgannon has a very distinct voice, but it lacks a lot of range. That being said, the slightly new direction adds some great color to the songs.
There isn’t a lot I can say about Sunday Guts that I haven’t already said before. It’s just quality pop music from Lehigh Valley. Catchy guitars, nice vocal hooks, and this time around there is a new wave/power pop influence. You really can’t go wrong with that. If you haven’t already, go check it out.