YEAR END! – Top Records Of 2018

Hey, 2018 sure was thing. After almost a year away, I brought this blog back a few months ago. I plan on actually updating on a more regular schedule in 2019. But, that is a problem for 2019 Joe. Anyway, here are my top records of 2018. In alphabetical order, because it just makes sense.

BEST RECORDS:

  • Dessa – “Chime”
  • Dogbite – “True Lofi Will Find You In The End”
  • Drug Church – “Cheer”
  • Gouge Away – “Burnt Sugar”
  • Headlines – “MMXVII”
  • Heavy Mantle – “Weights & Measures”
  • Hop Along – “Bark Your Head Off, Dog”
  • Krimewatch – “Krimewatch”
  • La Luz – “Floating Feature”
  • Lala Lala – “The Lamb”
  • Late Bloomer – “Waiting”
  • Lilith – “I’ll Come Over B/W In Real Life”
  • Miranda Winters – “Xobeci, What Grows Here?”
  • Miserable – “Loverboy”
  • Mitski – “Be The Cowboy”
  • Mothers – “Render Another Ugly Method”
  • Nectar – “Knocking At The Door”
  • Ogikubo Station – “We Can Pretend Like”
  • Open Mike Eagle – “What Happens When I Try To Relax”
  • Restorations – “LP5000”
  • Tancred – “Nightstand”
  • Tanukichan – “Sundays”
  • There’s Talk – “Bathed Water Moon”
  • V.V. Lightbody – “Bathing Peach”
  • Worlds Greatest Dad – “Get Well Soon”

HONORABLE MENTIONS:

  • Absinthe Father – “Jane”
  • Ivy Sole – “Overgrown”
  • Petal – “Magic Gone”
  • Roy Kinsey – “Blackie: A Story By Roy Kinsey”
  • Smol Data – “Smol Data: An EP”
  • Snail Mail – “Lush”
  • Steady Holiday – “Nobody’s Watching”
  • Swearin’ – “Fall In The Sun”
  • Tony Molina – “Kill The Light”
  • Young Animals – “Disposition”

All things considered, Be The Cowboy was my favorite record this year. Or, at the very least, the one I listened to the most.

So, yeah. There you go. Here’s a Spotify playlist

YEAR END! – Top Twenty Records Of 2014

fulllengthIN ALPHABETICAL ORDER:

  • Allison Crutchfield – “Lean Into It”
  • Braid – “No Coast”
  • Cayetana – “Nervous Like Me”
  • Crisis Arm – “Rend”
  • Dikembe – “Mediumship”
  • Divino Niño – “Pool Jealousy”
  • Empire! Empire! (I Was A Lonely Estate) – “You Will Eventually Be Forgotten”
  • Free Throw – “Those Days Are Gone”
  • Grey Zine – “Destitution”
  • The Hotelier – “Home Like Noplace Is There”
  • Kill The Intellectuals – “I Hope You Die Painlessly – With Laugh Lines And Wrinkles Around Your Eyes”
  • Kittyhawk – “Hello, Again”
  • Late Bloomer – “Things Change”
  • Living Room – “Moonchaser”
  • Mother Room – “Scorched”
  • Museum Mouth – “Alex I Am Nothing”
  • My Fictions – “Stranger Songs”
  • Perfect Future – “Manifesto”
  • Sport – “Bon Voyage”
  • Weak Teeth – “So You’ve Ruined Your Life”

REVIEW: Late Bloomer – “Things Change”

latebloomerthingschangeShit, so Late Bloomer. There is a lot going on with them. They’ve taken influence from a wide array of places, and they have compressed it down to a cohesive sound that is theirs. Their sophomore full length, Things Change, find them squarely rooted in that indie/punk sweet spot that bands like Dinosaur Jr. or Hüsker Dü were doing in the late 80s/early 90s. Maybe some grunge thrown in there too. But, they have managed to do it in a way that avoids being some shitty throwback band. It is them playing with those influences, not ripping them off.

Things Change is a great record that plays pretty loose with genre rules. It’s clear that Late Bloomer isn’t concerned with making one thing or another, they are concerned with doing what works for them. They fucking nailed that. You can label and genre this band a million different ways, but you’d be wrong. It’s too punk to be indie, it’s too poppy to be post-hardcore, it’s to grunge to be punk. The beauty of it is that they’re really all those thing. It’s definitely a column A, column b situation. The seamless transitions from genre to genre make this record special.

On paper, this record should be a disjointed mess. In practice, goddamn it works. A song like “Children” goes right into “Mirror” without any issues. All three band members can sing. All the songs can carry a different flavor. It is all works because this is a very skilled band. This is a cohesive album, not a collection of songs. It wouldn’t work if Late Bloomer didn’t have the skills to adeptly mix it all together into one of the strongest full lengths I’ve heard this year.

Late Bloomer
Tor Johnson Records (Buy It)
Self Aware Records (Buy It)
BandCamp