Lake Michigan is a project that really embodies the whole “bedroom recording” thing. It’s a genre that, by it’s very nature, allows for musicians to release a lot of material in a very short time. It’s a genre that seems to be built on simplicity and aesthetics. Since 2012, Christopher Marks has released about eight EPs (and one split with Hopelesstown).
Pylons, Telephone Wires, Trees In The Clearing is different from most of his older releases though. It stay true to past recordings musically, as the songs are still lo-fi and acoustic. The vocals that are what really struck me as different on this one. There isn’t a lot of signing on Pylons, Telephone Wires, Trees In The Clearing. Most songs are delivered with a deadpan, spoken word type approach. Even when there is singing, like in “Sober,” it’s still very flat in delivery.
These four songs made think of two things immediately. The first being old Bright Eyes songs. The second being old Kind Of Like Spitting songs. I hear a lot of “It’s Cool, We Can Still Be Friends” and “We Got As Far As Minnesota” (respectively) in these songs. Not in a shitty, derivative way. More in a shared experience way. I like Lake Michigan for the same reason I like those bands. They are projects built around strong songwriters who aren’t afraid to write honest, personal songs.
I’ve said it a million times before, but honesty counts. Pylons, Telephone Wires, Trees In The Clearing is an honest record. Marks doesn’t shy away from expressing vulnerability, nostalgia, or desire. Call it bedroom music, call it folk, or whatever else. It’s just good. Ok?
Ruined Smile Records
Wolf Town DIY
Singer/songwriter is a term that has really strange connotations to it. You can kind of blame the 1970s for that. In the US, for example, it’s a term that kind of reminds people of all that schmaltzy bullshit that came out after the folk scene died out. What it really means is embodied by both Lake Michigan (Chris Marks) and Hopelesstown (Will Canning). Simply, music written and performed by the songwriter. Lake Michigan and Hopelesstown are both acoustic solo projects. They both feature a strong influence from indie folk music. They execute is a little differently though. Those differences make for an engaging split.
Lake Michigan is, comparatively, more simple and somber. Being built mostly around lightly strummed acoustic guitar and hushed vocals. His three songs on the split are very calms, reflective, and personal in nature. In short, his music embodies a lot of what the whole bedroom music culture is all about.
Hopelesstown is similar, but with a bit of a different spin. The instrumentation, while still simple guitar at heart, has a more ambient and distorted sound to it. He adds a bit more fuzz to his three songs. There is a bit more vibrancy to these songs than the Lake MIchigan songs. A little more pop, as it were.
Both Lake Michigan and Hopelesstown have a lot of heart. Both show that a lot can be done with a little. Both document how great minimalism can sounds. And, ultimately, both show that very personal music can connect to anyone.
Lake Michigan (Band Camp)
Hopelesstown (Band Camp)
Ruined Smile Records