From The Inbox (08/12/19) // J.R. – “PAL”

inbox

FROM THE INBOX:

This song was inspired by the feeling of youth and naive invincibility.
The emotions experienced when you are young and feeling misunderstood.
Stagnant and searching for a reason to keep feeling like the past wont catch up to you.

“PAL” is a rollercoaster of thoughts, trying to make sense of multiple personalities and your own insanity. This song always brings me back to multiple places and experiences throughout my youth/young adulthood. Falling in and out of love. The transition of realizing my parents are flawed people just like you. Driving down a beautiful tree-lined road with my friends, looking for something fun to do and searching for a way to sustain that feeling of invincibility.

Dan Edmonds produced “PAL” at Fort Rose Studio in Hamilton.

Ross Miller (The Dirty Nil) really helped produce and shape the song with me in a way that captures the essence of it to a perfect T – just an added bonus of having grown up together and experiencing the same time-killing nights out. With Jason Bhattacharya on the kit, we all had so much fun adding something special to each session that made our hearts flutter.

Hope you enjoy listening to “PAL” as much as I did making it!

J.R.
~ Julianna Riolino ~

I absolutely love this kind of stuff. I guess you could call this indie rock with a slight folk influence? Either way, it’s 100% my jam. This is the second single J.R. has released this year. The previous single, “BE MY MAN” fucking goes. Make sure to check that one out too. I’m really looking forward hearing more. Hopefully these two singles mean an EP or full length is coming soon. A real press person would probably look into that.

J.R.

REVIEW: Strangers – “Good Enough”

sgeEP

I (relatively) recently was talking about Long Knives. When discussing them, I mentioned how much I liked Kris Moya’s songwriting. As luck would have it, I have more of their music to talk about. I should have talked about this back in May, but I’m the worst reviewer. Anyway. Strangers is Moya’s solo project. Being responsible for all the instruments and vocals, save for some of the backing vocals, Good Enough is a record that speaks directly to their influences. I feel like that is both appealing and intimidating for any musician. Your project will sink or swim based on your vision and voice. The proverbial buck stops with you. Luckily, this record swims.

One of my favorite things about this record is that it taps into a different part of the greater punk genre than Long Knives does. That band was firmly on the emo side of the fence, this project is definitely more on the indie rock side of things. Good Enough would sound right at home on a label like Salinas or Don Giovanni. This is the kind of music that will always appeal to me. To be honest, if you like that kind of stuff, I don’t know how you couldn’t find something to like on this record. You want a hooky pop influenced song? “Strangers” and “30 Day Free Trial” are there for you. An energetic, uptempo jam? “Like Fun Gay, Not Angry Gay” has got you covered. Shit, “If The Apocalypse Comes, Beep Me” closes the record in a way that does both.

My favorite kind of song is an undercover sad one. I think Good Enough is a record that speaks to that. Even an upbeat sounding song can have a bit of bummer introspection. “Like Fun Gay, Not Angry Gay” speaks to that. It’s got a triumphant sound to it, but lyrics like “When my body no longer feels unworthy of taking up space // When my brain is no longer filled with shame” speak to the struggle that has being overcome. See also: “If I’m busy then that’s why I’m still around // I keep myself busy, but it brings me down // I’m out of control when I’m alone” in the record closer. To me, that’s that kind of thing that makes the record worth listening to. Anyone can make an indie punk song. Actually using the genre to say something is when songs become great.

Strangers is a project that just appeals to me in almost every way. By any metric I have available, I would say this record has been super slept on. I hate RIYL statements, but this record would certainly appeal to fans of stuff like All Dogs or Swearin’. Ok?

Strangers
Bandcamp/Buy It

YEAR END! – Top Records Of 2018

Hey, 2018 sure was thing. After almost a year away, I brought this blog back a few months ago. I plan on actually updating on a more regular schedule in 2019. But, that is a problem for 2019 Joe. Anyway, here are my top records of 2018. In alphabetical order, because it just makes sense.

BEST RECORDS:

  • Dessa – “Chime”
  • Dogbite – “True Lofi Will Find You In The End”
  • Drug Church – “Cheer”
  • Gouge Away – “Burnt Sugar”
  • Headlines – “MMXVII”
  • Heavy Mantle – “Weights & Measures”
  • Hop Along – “Bark Your Head Off, Dog”
  • Krimewatch – “Krimewatch”
  • La Luz – “Floating Feature”
  • Lala Lala – “The Lamb”
  • Late Bloomer – “Waiting”
  • Lilith – “I’ll Come Over B/W In Real Life”
  • Miranda Winters – “Xobeci, What Grows Here?”
  • Miserable – “Loverboy”
  • Mitski – “Be The Cowboy”
  • Mothers – “Render Another Ugly Method”
  • Nectar – “Knocking At The Door”
  • Ogikubo Station – “We Can Pretend Like”
  • Open Mike Eagle – “What Happens When I Try To Relax”
  • Restorations – “LP5000”
  • Tancred – “Nightstand”
  • Tanukichan – “Sundays”
  • There’s Talk – “Bathed Water Moon”
  • V.V. Lightbody – “Bathing Peach”
  • Worlds Greatest Dad – “Get Well Soon”

HONORABLE MENTIONS:

  • Absinthe Father – “Jane”
  • Ivy Sole – “Overgrown”
  • Petal – “Magic Gone”
  • Roy Kinsey – “Blackie: A Story By Roy Kinsey”
  • Smol Data – “Smol Data: An EP”
  • Snail Mail – “Lush”
  • Steady Holiday – “Nobody’s Watching”
  • Swearin’ – “Fall In The Sun”
  • Tony Molina – “Kill The Light”
  • Young Animals – “Disposition”

All things considered, Be The Cowboy was my favorite record this year. Or, at the very least, the one I listened to the most.

So, yeah. There you go. Here’s a Spotify playlist

REVIEW: Ogikubo Station – “We Can Pretend Like”

The best thing about punk rock music is that the artists you love get older with you. And the artists who maybe grew up before you are going to be there when you finally catch up. Ogikubo Station is a mix of two different periods in my life coming together. Mike Park represents the stuff that got me into the music to begin with. All those Asian Man Records bands that were so vital to me getting into underground music as a teenager. Maura Weaver is that punk rock I listened to in my mid/late-20s when I was still fucking up a lot, but finally getting around to being an adult. Ogikubo Station, as a whole, feels like I finally caught up.

All things being what they are, We Can Pretend Like is an amazingly solid indie rock record that still has punk rock in it’s blood. I know it’s a weirdly specific phrase, but the singer/songwriter side of the band really shines through. The songs, though simple, have a lot of heart behind them. They are enjoyable, even if the subject matter is a bit heavy. If I had to spotlight some specific songs, I would definitely have to talk about “Drowning At The Watering Hole” and “Strong As You.” The former because it’s just a really great song. Honestly, there is a really sad song hiding behind the new wave synth line and the poppy guitars. You’ve got a tale of loneliness, dependency, and co-dependency. The latter stands out to me for more personal reasons. Hearing a song about a parent dying snuck the hell up on me at the laundromat. That is such a specific feeling. It’s one that you forget is still raw, even after time has passed. Other standouts are “I’ve Been Thinking Of St. Louis” and “The Prettiest One.” Both have a kind of twang to them. It really adds a dimension to the whole record.

I kind of question the need to write up this record. All the big sites already covered it back in August. I’m two months behind as usual. I just really like it. But, of course I do. My love of Asian Man Records has been well documented here. Bias aside, I think this is a record that has something for everyone. If you like indie rock, you’ll like it. If you like punk rock, you’ll like it. If you like Mike Park and Maura Weaver in their previous projects, you’ll like it. Just give it a listen if you haven’t already.

Ogikubo Station
Asian Man Records
Bandcamp
Buy It

REVIEW: sewingneedle – “user error”

There is something to be said about a band who knows exactly how to communicate a feeling. On User Error, sewingneedle use the language of indie rock, post-punk, and post-hardcore to say a whole lot. It’s easy to get lost in the musical side of the presentation. The dissonance brings to mind the more mathy side of alternative rock. The rhythm section has a good amount of post-hardcore bombast. But, ultimately, there is a story underneath it all.

I always feel like Midwestern bands are bitter. Sometimes it’s just subtext, other times it’s just text. I might be reading my own Midwest bitterness into it sometimes, but I always hear it. On parts of User Error, I definitely feel a lot of it coming from sewingneedle. And I’m pretty sure it isn’t just my own bias.

For example, look at “Feel Good Music.”

Hire an agent, get some press
This week’s internet success
We are dangerous, salty, soused
Another quarter in the punk machine

You should have seen the beaming investors, flanked by adoring spouses
Wring dry who you can on your way to the middle.

Another example is the title track, “User Error.”

Bombing at the open mic to none
Sweating under hot Par Cans looking for the prompter
“Who’d you say inspires you?”
“The river Ganges, have you been?”

The record has a tone of dissatisfaction and indictment. There is a Control era Pedro The Lion type feel to it, musically and vocally. But with a 2018 vibe. Like, “Whirlybird” has a line about forgotten people’s eulogy being summarized as “less than, forward slash, number three. Sent from my iPhone.”

I know I’m doing a shit job putting this record over. I’m making it sound dire and not fun to listen to. That isn’t the case. The record is full of hooks. It’s got solid lyrics throughout. Basically, it’s a really engaging listen front to back. This should be right near the top of your list if you’re into mathy, post- type music. Also, y’know, I’ll always ride for a band from Illnois.

sewingneedle
Aerial Ballet Records
Already Dead Tapes & Records
Bandcamp
Buy It