The first thing I noticed about Halloween Dream is how much beauty and soul there is on the record. While Kristina Esfandari is constantly getting the ex-Whirr tag, her solo material is strong enough to kill that talking point. As a solo artist, as Miserable, she’s made one of the most engaging records I’ve heard in quite some time.
Halloween Dream is record that shows how “atmospheric” doesn’t always mean “light.” Esfandari’s ethereal vocals weave beautifully in and out of reverb heavy, distorted music. When playing this type of music, it’s easy to use the production as a crutch. The denseness can cover up songwriting deficiencies, the reverb, delays, and distortion can make boring music sound less boring. That’s why it’s great when you hear it done right.
It’s easy to get lost in the music. It’s easy to put a record like this on, and just let it take over. One of my favorite parts of the record is how, even without actively listening to the lyrics, you can tell exactly what is going on. Esfandari projects so much with just her vocal delivery. You can hear the emotion, desire, and regret in these songs.
I feel bad calling this just an “insert whatever genre” record. To call it just one thing or another feels too narrow. It can be ambient and melodic in one part, then fucking heavy and dense in another. If I had to call it something, I’m not sure what i’d say. Metallic shoegaze with post-rock flair? Sure, why the fuck not? It’s beautiful.
The Native Sound