The term “emoviolence” rarely gets used anymore. It was obviously a genre tag that started as a facetious thing, but goodamn. If it was created to describe bands that mix powerviolence with screamo, then we need to bring it into the discussion here. Lord Snow don’t fuck around. Made up of members of Chicago area bands (Suffix, The New Yorker, Lautrec, and Raw Nerve), this is a band that knows exactly what they’re doing.
Solitude is not a record that you put on as background music. It’s 11 songs that demand your attention for the record’s 19 minute run time. It’s jagged, it’s raw, it’s loud and it’s one of the best things to come out in 2013. If you miss the days of emo music being hardcore, this should be your new favorite record. But, genre discussions don’t really matter in the end. It’s the music that counts.
Solitude is an abrasive record. It may not be for everyone, but even people who don’t like this kind of stuff have to appreciate the heart. The band leaves everything it has on these songs. There is one thing I think about every time I listen to this record, and it’s about how Steph Maldonado even has a voice after recording it. Her scream is raw and it sounds like her voice could give out at any moment.
The rhythm section of Steph Maldonado (bass) and Erik Anderson (drums) lay down a great foundation. Anderson is especially great. He’s able to go from full blast to reigned in at the drop of a hat. Niko Zaglaras (guitar) is able to shift between fast and chaotic to calm and melodic just as quickly. There are some great dimensions to this record that a lot of people are going to overlook.
This is a blood and guts record. The lyrics are great, the music is fantastic, and everything about it works.
*Note: this seems to only be available in the US from the band directly (and is currently sold out). So, if you really want a physical copy, you’ll probably have to get it on import from Adagio 830. Bummer.