Black Adidas – “Be Cool”
I have to be honest, I’ve been sitting on this song since fucking January. I am incredibly bad at running a music website. It was “officially” released a week and a half ago, so maybe I’m not the worst. Anyway.
“Be Cool” is the new song from Black Adidas. The song feels like a fitting sequel to “Old Fashioned Rock N Roll” from last year’s self titled LP. Both revel in paying respect to the genre. But, if “Old Fashioned Rock N Roll” was a tribute to sound, “Be Cool” is a mission statement. It’s a song about going to a show, seeing a band, and just fucking going off. It’s a song about not worrying about anything, and just enjoying music you love. Sometimes that’s really what you need.
I don’t like doing RIYL type things, but there is a definite Social Distortion vibe running through this track. It’s got a classic punk sound, a great chant along chorus, and a killer synth line. I don’t know what else you could want.
Also, hell, let’s promo here. Black Adidas is running a sale on their Bandcamp this week (I actually have no idea for how long). Use the code “merica” for 30% their shit. Am I a shill if I do it for free?
Edit: Sale is done.
Lou’ana – “Eye To Eye”
From the inbox:
Having carved a place for herself within Auckland’s vibrant music community over the past 6 years as a proud, second generation Samoan New Zealander, Lou’ana’s voice carries the stature of an old soul; a cosmic cocktail of sweet and soulful, with an added gritty, blues edge that references the golden age of Etta James, Emmylou Harris to the rawness of Stevie Nicks and Amy Winehouse. Her heart and soul translates through sound, in that unexplainable alchemy that happens when music meets word.
Lou’ana has performed all around New Zealand as part of the inimitable funk troup Hipstamatics, playing a multitude of festivals across the country including some of their favourite haunts such as Hipstamatics’ “birth place”, Grand Central in Ponsonby. The spell-binding artist also performs as part of Two Many Chiefs, and has supported a number of New Zealand jazz acts including Andrew Faleatua at Samoana Jazz Festival and the 2015 Pacific Music Awards, as well as providing live vocals for kiwi electronic outfit Sola Rosa.
Lou’ana kicks off 2019 with multiple New Zealand tour dates, and headlines the Waiheke Jazz Festival through April 19-22.
I’m primarily a blog that covers punk and punk related stuff. I occasionally like to use these “song of the week” posts to cover stuff I like that doesn’t really fit in that space. This is 100% one of those times. This Lou’ana song is just great.
Not sure how an old punk from Illinois ended up on a New Zealand press list, but here we are.
Porteau – “River Song”
From the inbox:
At the time, the lyrics were simply poetry I wrote in a journal during summer evenings spent in a remote Alaskan village. We were independently writing ideas/songs that neither of us necessarily intended to combine together; we weren’t trying to write a record. This poetry was a catalyst, and “River Song” as a whole naturally revealed itself.
I found myself inspired to write “River Song” while watching salmon swim in the streams. Their journey back to spawn is magnificent – one that brings life, but ultimately ends in death. Using the earth’s magnetic field, like a compass, the salmon return to their final resting place.
I was struggling to wrap my head around accepting the natural cycle of life. Seeing the salmon’s instinctual guidance drawing them back to their place of birth helped me discover where I needed to be.
“River Song” is not a story with a concrete ending. Ask yourself – do we really have a choice? Does instinct guide us home?
Sometimes you just want to listen to a pretty sounding song. Y’know?
Gadget and the Cloud – “Too Soon To Say”
I’ve talked about Gadget and the Cloud a few times before. I’m continually impressed with how Kelly Doherty progresses as an artist. I really liked her first release, October 31st. Her 2018 full length, Songs For Sad People To Dance To, was one of my favorite records from last year.
If I’m being honest, I don’t know a goddamn thing about this kind of music. Like, is this downtempo? Is it lofi? Can we safely call it ambient? No fucking idea. I know that I like it though. Moody synths and a great vibe. “Too Soon To Say” has me looking forward to whatever she does next.
Gadget and the Cloud
See Through Dresses – “Lucy’s Arm”
From Tiny Engines:
See Through Dresses released its Tiny Engines debut End of Days in the Fall of 2015, introducing a wider audience to a sound both intrinsic and environmental, with stark contrasts between its principal songwriters’ devastatingly riff-heavy jams and endearingly honest confessionals. It showcased what the band can do in spaces where guitars and rhythms rule the roost.
If End of Days is its rock record, Horse of the Other World, out June 14th, is See Through Dresses’ dreamy opus. Recorded in 2016 in two locations — ARC Studios with Ben Brodin (Pile, First Aid Kit, The Good Life) and at the band’s home studio, Little Machine, by Mathew Carroll — it signals a sonic leap into a more ethereal, soundscape-driven aesthetic.
Reverb-drenched and synth-laden, Horse of the Other World blends Carroll and Bertuldo’s masterful mood creation and technical prowess while further exploring the depths of the band’s dynamics. “Pretty Police” mixes sparkle and bounce with brood, while “Violet” cuts sharply via crystalline keys and arpeggiated chords. Bassist Alex Kirts pumps the album’s bleeding heart and drummer Nate Van Fleet is tactical and creative. Their playing shines as the foundation of songs like “Lucy’s Arm” and “Herbivore,” whose climaxes are textbook See Through Dresses.
See Through Dresses are one of the best examples of modern post-punk. They mix classic shoegaze and dream pop elements with driving punk rock. They make art without getting pretentious.
Horse of the Other World is an A+ record from front to back. “Lucy’s Arm” is a hell of a single. Those shared vocals on the verses are fantastic.
See Through Dresses
Sheer – “Stutter”
From The Native Sound:
A year and a half since the release of their debut album, and two member changes later, Sheer are back.
With their new EP Psychic Quarry, Sheer embrace a change that finds the band at their most relaxed and inspired. While their debut LP Uneasy introduced the band as one with a kinship for dreamy, reverb-induced soundscapes, Psychic Quarry is a much more catchy, and indie rock-informed affair.
The six songs on Psychic Quarry cover a lot of ground – feelings of anxiety and depression, the vulnerability of intimacy, and even the post-election shock many of found ourselves coping with.
Stutter isn’t a single. I don’t know that it’s really a thing to share here in this space. I really like this band. Psychic Quarry is a great record. It came out back in April, and I probably should have talked about it then.
Anyway, go grab the damn thing.
The Native Sound
Post Lovers – “Going Anyway”
From the inbox:
Athens based Post Lovers is a solo project created by Eleni Karageorgou. Post Lovers play short, indie folk tunes, blending a-bit-too personal songwriting with playful backing vocals, all set in a 90’s background. Their beneficiary musicians kindly contribute to both their rehearsals and live gigs. Post Lovers take a step at a time: girls, friends, lovers, post lovers.
Their first official release is the single “Melbourne/Going Anyway” coming out on August 1st through the 7-inch series “A Distant Victory Singles Club” via Inner Ear Records.
These indie pop songs always sound good in the summer. Is twee seasonal? Anyway, “Going Away” is the b-side on Post Lovers’ upcoming single. Both it and “Melbourne” are great songs. The 7″ will be out on August 1. It’s part of Inner Ears’ subscription series. You can check that out here.
Inner Ear Records